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A scene at the London Museum Piccadilly (engraving)
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A scene at the London Museum Piccadilly (engraving)
610660 A scene at the London Museum Piccadilly (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: A scene at the London Museum Piccadilly, or a peek at the spoils of ambition, taken at the Battle of Waterloo, being a new tax on John Bull for 1816 etc. Published 1835.); Look and Learn / Peter Jackson Collection
Media ID 22936008
© Look and Learn / Peter Jackson Collection / Bridgeman Images
Ambition John Bull Peek Piccadilly Pleasures Spoils Waterloo London Museum
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A Scene at the London Museum Piccadilly - A Glimpse into Ambition's Spoils
EDITORS COMMENTS
. In this intriguing engraving by George Cruikshank, we are transported to a bustling scene at the London Museum Piccadilly. Published in 1835, it offers a satirical commentary on the aftermath of the Battle of Waterloo and its impact on John Bull, symbolizing England. As our eyes wander across the print, we witness a confrontation between ambition and taxation. The artist cleverly depicts a new tax imposed upon John Bull in 1816 as he eagerly explores the spoils of victory from Waterloo. This visual narrative serves as both social critique and political satire. The vibrant streets of Piccadilly come alive with activity – people engrossed in their newfound pleasures while others engage in animated conversations about these spoils. It is here that Cruikshank invites us to take a peek into this world where ambition meets consequence. Through intricate details and meticulous craftsmanship, Bridgeman Images captures every nuance within this historical moment. The composition draws us deeper into an era defined by grandeur and excess but also marked by financial burdens borne by ordinary citizens. This artwork not only showcases Cruikshank's artistic prowess but also highlights his astute observation of society's complexities during this period. As we gaze upon "A Scene at the London Museum Piccadilly" we are reminded that even amidst triumphs like Waterloo, there lies an undercurrent of struggle for those who bear
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