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Cover of "Le Don Quixote", number 777, Satirique en Couleurs
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Cover of "Le Don Quixote", number 777, Satirique en Couleurs
ICA4925168 Cover of " Le Don Quixote", number 777, Satirique en Couleurs, 1889_5_18: La peine du talion - Social, Pays d Europe - Bismarck, Octopus Octopus - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 777, Satirique en Couleurs, 1889_5_18: La peine du talion - Social, Pays d Europe - Bismarck, Octopus Octopus - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright
Media ID 23344096
© Caricadoc / Bridgeman Images
Animalization Bismarck Octopus Otto Von 1815 1898 Shipwreck A Journal Caricadoc Journalism Prussia Prussian Transport Vehicle
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This print showcases the cover of "Le Don Quixote" number 777, Satirique en Couleurs from 1889. The artwork, created by Charles Gilbert-Martin (1839-1905), is a satirical illustration that delves into various social and political themes of its time. The image features an intricate engraving depicting a shipwreck with a flag fluttering in the wind. Military and political symbols are scattered throughout the scene, highlighting the turbulent nature of European politics during this period. A prominent figure portrayed as an octopus represents Otto von Bismarck, a powerful German statesman known for his influential role in shaping Prussia's destiny. The artist skillfully employs caricature to convey complex ideas about animalization and power dynamics between nations. This thought-provoking piece was published in a French journal, making it part of France's rich journalistic history. The photograph itself captures every detail of Gilbert-Martin's work with remarkable clarity. Its black-and-white composition adds depth to the engraving while emphasizing its historical significance. This print serves as both an artistic masterpiece and a valuable historical artifact from the late 19th century. It offers viewers a glimpse into European society at that time, showcasing how art can be used to comment on pressing issues of its era.
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