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Decorative plaque, Archaic, second half of the 7th century BC (ivory)
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Decorative plaque, Archaic, second half of the 7th century BC (ivory)
5053952 Decorative plaque, Archaic, second half of the 7th century BC (ivory) by Greek, (7th century BC); 13.6x7x1.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: This plaque illustrates a mythological subject related to the advent of the god Dionysos in Greece. Because the two daughters of King Proitos of Argos refused to recognize his divinity, they were driven mad and committed violent and unseemly acts until they were healed by the seer Melampos. Here, in their madness, they have unpinned their clothes and stand partially naked.)
Media ID 25234660
© Bridgeman Images
Ancient Greeks Ancientness Archaic Artefact Artifact Bare Breasts Bas Reliefs Dionysus Dishevelled Figurine Figurines Frenzied Frenzy Garments Hysteria Hysteric Hysterical Insane Insanity Mental Health Punished Revealing Robe Sclupture Sculptrue Sculpure Sculputre Scultpure Scuplture Scupture Scuptures Statuette Unkempt Wooden Carving Antique Greece Antiquit Greece Greek Greeks Punishment
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EDITORS COMMENTS
This print showcases a remarkable decorative plaque from the Archaic period in ancient Greece. Created during the second half of the 7th century BC, this ivory artifact measures 13.6x7x1.6 cm and is currently housed at the Metropolitan Museum of Art in New York, USA. The plaque depicts a mythological scene that revolves around the arrival of Dionysos, the Greek god of wine and revelry. It narrates an intriguing tale where two daughters of King Proitos of Argos refuse to acknowledge Dionysos' divinity, resulting in their descent into madness. In their frenzied state, they shed their garments and stand partially naked as a symbol of their insanity. The intricate carving skillfully captures the disheveled appearance and hysteric expressions on these female figures, emphasizing their punishment for denying divine power. The revealing robes and bare breasts further accentuate their mental turmoil. This artifact not only serves as a testament to ancient Greek mythology but also offers insights into societal attitudes towards mental health during that era. It stands as an exquisite example of archaic artistry with its detailed bas-reliefs and wooden carving techniques. As we gaze upon this antique relic from ancient Greece, we are reminded once again of how art can transcend time, allowing us to delve into fascinating narratives while appreciating the craftsmanship behind these enduring works. "
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