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The Son of Old Man Duchesne, May 7, 1871 (engraving)
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The Son of Old Man Duchesne, May 7, 1871 (engraving)
904994 The Son of Old Man Duchesne, May 7, 1871 (engraving) by French School, (19th century); Musee d Art et d Histoire, Saint-Denis, France; (add.info.: Le Fils du Pere Duchene
A newspaper which appeared during revolutionary periods of the nineteenth century. It borrowed its title from the original Pere Duchesne published by Jacques Hebert during the French Revolution.
The Commune [Marianne] and Thiers hiding a trunk labeled Cayenne [reference to the Prison of Cayenne] (as puppets))
Media ID 26407460
© Bridgeman Images
2 People 2 Persons Communard Member Of The Paris Commune Commune Of Paris Crowns Daily Newspaper Front Page Girkwd Marianne Marionette Press Media Puppet Revolutionary State Newspaper Two Persons revolutionary Gravure Engraving Journalism
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EDITORS COMMENTS
This print titled "The Son of Old Man Duchesne, May 7,1871" showcases a remarkable engraving by the French School in the 19th century. Housed at the Musee d Art et d Histoire in Saint-Denis, France, this artwork is an intriguing representation of historical significance. The image features two prominent figures from different periods of French history. On one side stands Marianne, symbolizing the Paris Commune and revolution. On the other side is Thiers, hiding a trunk labeled Cayenne—a reference to the infamous Prison of Cayenne—depicted as puppets manipulated by unseen forces. This satirical drawing serves as a scathing satire on politics and power dynamics during revolutionary times. The vibrant colors add depth and intensity to this thought-provoking piece. "The Son of Old Man Duchesne" draws inspiration from a newspaper that emerged during various revolutionary eras in the nineteenth century. Taking its name from Jacques Hebert's original publication during the French Revolution, it reflects upon societal unrest and political upheaval through clever caricatures and cartoons. As we delve into this engraving's intricate details, we witness not only its artistic brilliance but also its historical relevance. It offers us a glimpse into France's tumultuous past while reminding us of how art can be used as a powerful tool for social commentary.
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