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MS 289. III f. 259r St. Paul with sword looking at a kneeling messenger with spear (vellum)

MS 289. III f. 259r St. Paul with sword looking at a kneeling messenger with spear (vellum)


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MS 289. III f. 259r St. Paul with sword looking at a kneeling messenger with spear (vellum)

FIT423085 MS 289.III f.259r St. Paul with sword looking at a kneeling messenger with spear (vellum) by Master of Zweder van Culemborg (fl.1420-40); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Netherlandish, out of copyright

Media ID 23249534

© Fitzwilliam Museum / Bridgeman Images

Borders Floriated Foxglove Illuminated Manuscript Inhabited Initial Meditation Meditative Mirror Monkey


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EDITORS COMMENTS
In this illuminated manuscript print, we are transported back in time to witness a powerful scene from biblical history. The work, titled "MS 289. III f. 259r St. Paul with sword looking at a kneeling messenger with spear" is attributed to the talented Master of Zweder van Culemborg, who flourished between 1420 and 1440. The central focus of the image is St. Paul, depicted holding a gleaming sword as he gazes intently at a humble messenger kneeling before him. The intricate details on the vellum surface bring this medieval masterpiece to life, showcasing the artist's skillful use of color and delicate brushwork. Surrounding the main figures are ornate floriated borders adorned with angels and decorative elements that add depth and richness to the composition. A meditative atmosphere permeates through every corner of this artwork, inviting viewers into a world where spirituality meets artistic expression. Notably, an angel hovers above St. Paul's head while monkeys playfully engage with each other amidst foxglove flowers in one corner of the border – symbolic motifs often found in medieval manuscripts. This stunning piece serves as both an exquisite example of Netherlandish artistry and an invitation for contemplation and meditation on biblical themes. Preserved within the Fitzwilliam Museum at the University of Cambridge in England, it stands as a testament to humanity's enduring fascination with religious narratives throughout history.

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