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Portrait of a Man, 1433 (oil on oak panel)
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Portrait of a Man, 1433 (oil on oak panel)
7405604 Portrait of a Man, 1433 (oil on oak panel) by Eyck, Jan van (c.1390-1441); 19x15.5 cm; National Gallery, London, UK; (add.info.: Possibly a self portrait by Jan van Eyck. See also 1109235 for the painting out of the frame.
His motto, Als Ich Can, is painted in Greek letters on the upper frame; the words are an abbreviation of a Flemish saying and a pun on Jan's name: as I(ich/Eyk) can (but not as I would)'. The bottom inscription is in abbreviated Latin and says, Jan van Eyck made me on 21 October 1433.)
Media ID 32113768
© Bridgeman Images
Beligium Eyck Eyck Jan Van 1390 1441 Flanders Flemish Flemish Artist Frame Frame Artwork Head Dresses Headgear Jan Van 1390 1441 Jan Van Eyck Oil On Wood 15th 15 Xv Xvth Fifteenth Century Belgians Belgium Belgian Flemish Art Oil On Panel Only One Person Reinassance Renaissance Time
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EDITORS COMMENTS
This portrait, titled "Portrait of a Man, 1433" is a masterpiece by the renowned Flemish artist Jan van Eyck. Painted with oil on oak panel, this small yet powerful artwork measures 19x15.5 cm and is housed in the National Gallery in London. Believed to be a self-portrait by the artist himself, this painting showcases Van Eyck's exceptional talent and attention to detail. The man depicted wears a vibrant red turban-like hat that adds an intriguing touch to his appearance. His piercing gaze captures the viewer's attention, revealing both strength and vulnerability. The upper frame of the painting features Greek letters spelling out Van Eyck's motto: "Als Ich Can". This phrase cleverly combines Flemish saying with wordplay on his name, meaning "as I can (but not as I would)". Below it, an abbreviated Latin inscription states that Jan van Eyck created this masterpiece on October 21st, 1433. Van Eyck was one of the most influential painters of the Renaissance period. His mastery of color and technique revolutionized art during his time and continues to inspire artists today. This portrait exemplifies his ability to capture human emotion with remarkable precision. As we admire this extraordinary piece from the fifteenth century, we are transported back in time to witness Van Eyck's genius firsthand. The rich colors and intricate details invite us into a world where artistry knows no bounds.
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