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Portrait of a Lady called Countess of Nottingham, 1600-05 (oil on wood)
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Portrait of a Lady called Countess of Nottingham, 1600-05 (oil on wood)
3744074 Portrait of a Lady called Countess of Nottingham, 1600-05 (oil on wood) by Critz, John de (1555-1641) (attr.to); 113.6x85.7 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info.: Portrait believed to be of Catherine Howard (nee Carey), Countess of Nottingham, (1547-1603) who was cousin, lady-in-waiting, and close confidante of Queen Elizabeth I of England.); eNottingham City Museums & Galleries; Flemish, out of copyright
Media ID 22543484
© Nottingham City Museums & Galleries / Bridgeman Images
Bodice Elizabethan Frill Lace Ruff Ruff Starched Noble
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EDITORS COMMENTS
This portrait, titled "Portrait of a Lady called Countess of Nottingham" transports us back to the Elizabethan era with its exquisite details and regal presence. Painted by John de Critz, or attributed to him, this oil on wood masterpiece showcases the elegance and grace of an aristocratic woman. The subject is believed to be Catherine Howard (nee Carey), Countess of Nottingham, who held a significant role as Queen Elizabeth I's cousin, lady-in-waiting, and trusted confidante. Standing tall in her opulent attire, she exudes confidence and sophistication. Her half-length pose allows us to admire the intricate lace bodice that adorns her noble figure. The starched lace ruff frames her face delicately while adding an air of grandeur. Every brushstroke captures the essence of English nobility during this period. The artist's attention to detail is remarkable; from the frills on her sleeves to the meticulous rendering of her jewelry. This painting serves as a testament not only to Catherine Howard's beauty but also to the artistic talent prevalent during this time. Displayed at Nottingham City Museums and Galleries within Nottingham Castle, it invites viewers into a world where aristocracy reigns supreme. As we gaze upon this timeless piece, we are reminded of the rich history that shaped our present-day society.
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