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Ibant qui poterant, qui non potuere cadebant (Those who could
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Ibant qui poterant, qui non potuere cadebant (Those who could
5864164 Ibant qui poterant, qui non potuere cadebant (Those who could, walked; those who could not, fell), 1739 (pastel, gouache on paper on canvas) by Troost, Cornelis (1697-1750); 57.7x74 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: Fifth of five in a humorous series showing a group of distinquished gentlemen reuniting for a sociable evening at the house (or club) of Biberius, which starts off respectably and gradually gets completely out of hand through drink. Called NELRI (from the first letters of the Latin inscriptions)); Dutch, out of copyright
Media ID 23267872
© Bridgeman Images
Breeches Company Disorderly Dissolute Drunk Drunkenness Gathering Gentleman Horse Drawn Inebriated Leaving Parting Pastel Powdered Wig Reunion Rich Rococo Staggering Waistcoat Wealthy
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EDITORS COMMENTS
The captivating print of "Ibant qui poterant, qui non potuere cadebant" by Cornelis Troost takes us back to the 18th century Dutch society. In this humorous artwork, a group of distinguished gentlemen gather for an evening at the house or club of Biberius. The scene starts off as a respectable gathering but gradually descends into chaos due to excessive drinking. The painting showcases the opulence and wealth of these men, with their powdered wigs, richly adorned waistcoats, and breeches. They are seen enjoying each other's company in a rococo setting filled with laughter and merriment. However, as the night progresses and alcohol flows freely, the once dignified gentlemen become inebriated and disorderly. Troost masterfully captures this transformation through his use of pastel and gouache on paper on canvas. The vibrant colors bring life to the scene while also emphasizing the drunkenness that has taken hold of these individuals. Staggering out from their horse-drawn carriages, some struggle to maintain their balance while others have already succumbed to falling. This artwork serves as a reminder that excess can lead to loss of control and dignity even among those considered high society. It is both a satirical commentary on human behavior and an exploration of societal norms during that era. Through its detailed depiction of this raucous reunion gone awry, Troost invites viewers to reflect upon our own indulgences and their consequences
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