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Studies of hands after Durer

Studies of hands after Durer


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Studies of hands after Durer

3125146 Studies of hands after DAorer by Hoffmann, Hans (c.1545/50-1591/92); (add.info.: Studies of hands after DAorer. On the left praying apostles hands for the Assumption image, on the right folded hands of the Pope for the rosary picture. Ink and brush drawing on blue prepared paper.
Hans Hoffmann (1530-1592); Upper German School
HAandestudien nach DAorer
HAandestudien nach DAorer. Links betende ApostelhAande fAor das Mariahimmelfahrtsbild, rechts gefaltete HAande des Papstes im Rosenkranzbild. Tusche- und Pinselzeichnung auf blau grundiertem Papier.
Handzeichnungen alter Meister aus der Albertina und anderen Sammlungen. Herausgegeben von Joseph SchAonbrunner und Dr. Joseph Meder. Wien, Gerlach & Schenk. Verlag fAor Kunst und Kunstgewerbe.); ePurix Verlag Volker Christen; German, out of copyright

Media ID 23427106

© Purix Verlag Volker Christen / Bridgeman Images


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EDITORS COMMENTS
This print showcases "Studies of hands after Durer" by Hans Hoffmann, a renowned artist from the Upper German School. The artwork features ink and brush drawings on blue prepared paper, depicting two sets of hands with distinct symbolic meanings. On the left side, we see the praying apostles' hands meant for the Assumption image. These hands convey a sense of devotion and spirituality, reflecting their role in religious narratives. They are intricately detailed, capturing every line and contour with precision. On the right side, we observe folded hands of the Pope for the rosary picture. These hands symbolize prayer and contemplation, representing a connection to faith and divine guidance. The folds in these hands create an intriguing visual texture that adds depth to the composition. The overall craftsmanship exhibited in this piece is exceptional as it pays homage to Albrecht Durer's original studies of hands while showcasing Hoffmann's own artistic interpretation. The attention to detail and skillful execution highlight Hoffmann's mastery as an artist. This print is part of a collection titled "Handzeichnungen alter Meister aus der Albertina und anderen Sammlungen" edited by Joseph Schönbrunner and Dr. Joseph Meder. Published by Gerlach & Schenk Verlag für Kunst und Kunstgewerbe in Vienna, it offers viewers a glimpse into historical masterpieces preserved in various collections. Captivating both art enthusiasts and historians alike, this print serves as a testament to Hoffmann's talent while honoring

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