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Plate 363. Running Somersault, 1885 (collotype on paper)
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Plate 363. Running Somersault, 1885 (collotype on paper)
3950074 Plate 363. Running Somersault, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 26x27.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume II, Males (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659470
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Acrobat Acrobatic Animal Locomotion Early Motion Picture Sequence Frames Gymnast Gymnastics Jump Jumping Motion Sequence Sequential Somersault Spin Spinning Stop Motion Tumble Turn Turning B W Photo Black And White Photograph Flip
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This photograph, titled "Plate 363. Running Somersault, 1885" captures a moment frozen in time by the renowned photographer Eadweard Muybridge. The image is part of his groundbreaking series "Animal Locomotion" from 1887, which revolutionized the study of movement through sequential photography. In this particular frame, we witness a male figure mid-air as he executes a flawless somersault with remarkable agility and grace. The acrobatic display showcases not only the athleticism of the subject but also Muybridge's mastery in capturing motion through stop-motion frames. The stark contrast between light and shadow adds depth to the composition, emphasizing every muscle and contour of the gymnast's nude body. This deliberate choice highlights both vulnerability and strength simultaneously. Muybridge's scientific approach to photography transformed it into an invaluable tool for studying human locomotion. His work paved the way for early motion picture sequences and laid the foundation for modern cinematography. As we gaze upon this mesmerizing print, we are transported back to a time when capturing movement was still considered an elusive feat. It serves as a testament to Muybridge's pioneering spirit and his unwavering dedication to pushing boundaries within photographic artistry. Displayed at Addison Gallery of American Art in Andover, MA, USA, this print continues to captivate viewers with its timeless beauty while reminding us of our boundless potential for physical expression.
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