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Plate 364. Hand-spring over Mans Back, 1885 (collotype on paper)
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Plate 364. Hand-spring over Mans Back, 1885 (collotype on paper)
3950075 Plate 364. Hand-spring over Mans Back, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.7x31.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume II, Males (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23259672
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Acrobatics Acrobats Animal Locomotion Early Motion Picture Sequence Frames Gymastics Gymnast Jump Jumping Males Motion Sequence Sequential Somersault Stop Motion Turn Turning B W Photo Black And White Photograph Flip
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This photograph, titled "Plate 364. Hand-spring over Mans Back, 1885" captures a mesmerizing moment frozen in time. Taken by the renowned photographer Eadweard Muybridge in collotype on paper, this print measures 23.7x31.4 cm and is housed at the Addison Gallery of American Art in Andover, MA. Part of Muybridge's groundbreaking series "Animal Locomotion" from 1887, this image belongs to Volume II dedicated to males in motion. It showcases a sequence of frames capturing the fluid movement of an acrobat performing a hand-spring over another man's back. Muybridge's scientific approach to photography revolutionized our understanding of motion and paved the way for early motion picture sequences. His meticulous study involved capturing multiple frames to create a sequential visual narrative that revealed nuances invisible to the naked eye. In this particular frame, we witness the gymnast mid-air as he executes an impressive flip while turning his body gracefully through space. The athleticism and precision displayed are truly remarkable. The nudity depicted here serves not only as an artistic choice but also emphasizes the focus on human anatomy and movement within Muybridge's scientific exploration. This photograph is a testament to Muybridge's pioneering work in stop-motion photography and his contribution to both art and science realms alike. It continues to captivate viewers with its dynamic composition, showcasing the beauty found within moments often gone unnoticed by our fleeting gaze.
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