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Antoine de Saint-Chamans, France, 17th century, from a print in the Bibliotheque Imperiale
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Antoine de Saint-Chamans, France, 17th century, from a print in the Bibliotheque Imperiale
5855347 Antoine de Saint-Chamans, France, 17th century, from a print in the Bibliotheque Imperiale. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Antoine de Saint-Chamans, France, 17th century, from a print in the Bibliotheque Imperiale. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessiss " Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.); © Florilegius
Media ID 22564492
© Florilegius / Bridgeman Images
16th 17th 1867 18th Antoine Bibliotheque Clothing Style Didier Duplessis Edmond Lechavellier Chevignard Fashiom Fashion Trend Flameng Georges Handcolored Historiques Imperiale Laguillermie Lechevallier Chevignard Siecles Centuries
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This print showcases Antoine de Saint-Chamans, a prominent figure from 17th century France. The image is derived from a print found in the prestigious Bibliotheque Imperiale, now known as the National Library of France. Handcolored by the talented E. Lechevallier-Chevignard and lithographed by A. Didier, L. Flameng, and F. Laguillermie, this illustration exudes artistic excellence. The photograph is part of Georges Duplessis' renowned work "Costumes historiques des XVIe, XVIIe et XVIIIe siècles" (Historical costumes of the 16th, 17th and 18th centuries), published in Paris in 1867. This book served as a continuation to Camille Bonnard and Paul Mercuri's earlier series on costumes from the 12th to the 15th centuries. Georges Duplessis himself was an esteemed curator at the Prints department of Bibliotheque nationale (National Library). Meanwhile, Edmond Lechevallier-Chevignard was not only an accomplished artist but also an interior designer for various public buildings and churches. His exceptional skills led him to be appointed as a professor at the National School of Decorative Arts in 1874. This remarkable print offers viewers a glimpse into history through its vivid colors and intricate details meticulously captured by Lechevallier-Chevignard's brushstrokes. It serves as both an artistic masterpiece and a valuable historical artifact that transports us back to seventeenth-century France.
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