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Kattea women fleeing in front of the photographer. Engraving by Y. Pranishnikoff to illustrate the story Huit mois au Kalahari, by M. Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris
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Kattea women fleeing in front of the photographer. Engraving by Y. Pranishnikoff to illustrate the story Huit mois au Kalahari, by M. Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris
LSE4334377 Kattea women fleeing in front of the photographer. Engraving by Y.Pranishnikoff to illustrate the story Huit mois au Kalahari, by M.Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris. by Pranishnikoff, Ivan (1841-1909); Private Collection; (add.info.: Kattea women fleeing in front of the photographer. Engraving by Y.Pranishnikoff to illustrate the story Huit mois au Kalahari, by M.Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris.); © Leonard de Selva. All rights reserved 2022
Media ID 25158000
© Leonard de Selva. All rights reserved 2022 / Bridgeman Images
Africain Africaine Afrique Afrique Du Sud Angoisse Angst Anguish Anxiete Anxiety Camera Indigene Namibia Noir Et Blanc Peur Photographe Fear Femme
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EDITORS COMMENTS
This engraving by Y. Pranishnikoff captures a powerful moment in history, depicting Kattea women fleeing in front of the photographer's lens. The image was created to illustrate the story "Huit mois au Kalahari" (Eight Months in the Kalahari) by M. Farini, featured in the publication "Le Tour du Monde" directed by Edouard Charton. The intensity of emotion is palpable as these African women express fear and anxiety at the sight of the camera. Their instinctive reaction reflects a deep-rooted mistrust or unfamiliarity with this new technology, highlighting both cultural differences and historical context. Pranishnikoff's skillful engraving technique brings out intricate details, capturing every nuance of anguish on their faces. The stark contrast between light and shadow adds depth to the composition, emphasizing their vulnerability against an unknown backdrop. This artwork serves as a poignant reminder of colonial encounters during that era, shedding light on power dynamics between Western photographers and indigenous communities. It invites viewers to reflect upon issues surrounding representation, consent, and exploitation within early ethnographic practices. Leonard de Selva's preservation of this print allows us to engage with history through artistry while acknowledging its complex implications. As we observe these fleeing Kattea women frozen in time, we are compelled to consider our own role as witnesses to their story – one that continues to resonate today amidst ongoing conversations about cultural understanding and respect for diverse perspectives.
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