Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773

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Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773

FLO4718005 Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius

Media ID 38467682

© © Florilegius / Bridgeman Images

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EDITORS COMMENTS
This copperplate engraving captures a humorous and satirical scene from the 18th century, depicting Drunken farmer Jones in a comical exchange with old squinty-eyed Nan. In this illustration by Timothy Bobbin (John Collier), we see Farmer Jones eagerly buying the entire stock of wooden tools from Nan, who appears to be quite pleased with the transaction. The intricate details in this artwork showcase the essence of satire and caricature prevalent during that era. The exaggerated expressions on both characters' faces add to the whimsical nature of the scene, while also shedding light on societal issues such as vice and alcoholism. As Farmer Jones eagerly loads up his basket with wooden tools, including ladles and agricultural implements, one can't help but chuckle at the absurdity of it all. The contrast between his drunken state and Nan's shrewd expression creates a dynamic tension that is both amusing and thought-provoking. This engraving serves as a reminder of the rich history of British artistry and satire, capturing a moment in time where humor intersected with social commentary. It is a testament to the talent of artists like John Collier (Timothy Bobbin) who were able to skillfully blend wit and criticism into their work for generations to enjoy.

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