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Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb

Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb


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Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb

FLO4708548 Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb. In ancient monuments, knights and their wife were often places in this attitude. Hand-coloured copper engraving, in "Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages" by Robert Von Spalart, published in 1800.; (add.info.: Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb. In ancient monuments, knights and their wife were often places in this attitude. Hand-coloured copper engraving, in "Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages" by Robert Von Spalart, published in 1800.); © Florilegius

Media ID 38467258

© © Florilegius / Bridgeman Images


EDITORS COMMENTS
This hauntingly beautiful print captures the solemn scene of two ladies kneeling in prayer within a grave. The German version of this illustration identifies them as a lady and her daughter, while the French edition refers to them as knights placed in the tomb. This depiction is reminiscent of ancient monuments where knights and their wives were often portrayed in this reverent pose. The intricate details and hand-colored copper engraving bring out the emotion and gravity of the moment, transporting viewers back to a time when such rituals were common practice. The composition is both poignant and powerful, evoking a sense of reverence for those who have passed on. Published in 1800 by Robert Von Spalart as part of "Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages," this print serves as a window into history, showcasing not only the fashion but also the customs and beliefs of past civilizations. As we gaze upon these figures frozen in prayer, we are reminded of our own mortality and the timeless nature of human emotions. It is a testament to the enduring power of art to capture moments that transcend time and space, allowing us to connect with our ancestors through shared experiences like grief, love, and devotion.

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