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Punch cartoon: Sir Watkin Williams-Wynn, 6th Baronet, Welsh Conservative politician (engraving)

Punch cartoon: Sir Watkin Williams-Wynn, 6th Baronet, Welsh Conservative politician (engraving)


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Punch cartoon: Sir Watkin Williams-Wynn, 6th Baronet, Welsh Conservative politician (engraving)

6034986 Punch cartoon: Sir Watkin Williams-Wynn, 6th Baronet, Welsh Conservative politician (engraving) by Sambourne, Edward Linley (1844-1910) (after); Private Collection; (add.info.: Punch cartoon: Sir Watkin Williams-Wynn, 6th Baronet, Welsh Conservative politician. Illustration for Punch, Volume 84, January - June 1883.); Look and Learn / George Collection

Media ID 22583368

© Look and Learn / George Collection / Bridgeman Images

Conservative Goat Punch Punchs Fancy Portraits Welsh Young Goat Caricatures Comics


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EDITORS COMMENTS
This engraving, titled "Punch cartoon: Sir Watkin Williams-Wynn, 6th Baronet, Welsh Conservative politician" takes us back to the vibrant political landscape of late 19th century Great Britain. Created by Edward Linley Sambourne for Punch magazine in 1883, this satirical drawing offers a humorous portrayal of Sir Watkin Williams-Wynn. In the image, we see Sir Watkin Williams-Wynn strolling confidently with his walking stick through the British countryside. His distinguished appearance is juxtaposed with a mischievous goat playfully tugging at his coat tails. This clever addition adds an element of whimsy to the scene while subtly hinting at the unpredictable nature of politics. The artist's attention to detail is evident in every stroke; from Sir Watkin's regal attire and meticulously groomed mustache to the intricate engravings that surround him. The inclusion of a loyal dog faithfully following its master further emphasizes his status and influence within political circles. Through this caricature, Sambourne skillfully captures both the essence of Sir Watkin as an individual and reflects broader societal attitudes towards politicians during this era. With its scathing satire and witty commentary on power dynamics, this piece exemplifies why Punch magazine was renowned for its biting social commentary. As we gaze upon this historical gem, we are transported back in time - reminded once again that humor has long been used as a tool for critiquing those in positions of authority.

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