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Ancient and modern patterns of wigs (litho)
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Ancient and modern patterns of wigs (litho)
6013419 Ancient and modern patterns of wigs (litho) by English School, (20th century); Private Collection; (add.info.: Ancient and modern patterns of wigs. Illustration for The Harmsworth Encylopaedia (c 1922).); © Look and Learn
Media ID 23280198
© Look and Learn / Bridgeman Images
Ancient Egyptian Ancientness Bourbon Dynasty Bourbons Dynasty Charles Ii Duke Of Bourbon Egyptian Culture Encylopaedia Episcopal George Iii House Of Bourbon France Legal Louis The Great Louis Xiv Modern North East Africa North West Africa Northafrica Patterns Ramillies Sous Louis Xiv The Sun King Wigs Afica Afric Antiquit Central Africa Egyptians
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EDITORS COMMENTS
This lithograph, titled "Ancient and modern patterns of wigs" offers a fascinating glimpse into the world of hair fashion throughout history. Created by an English School artist in the 20th century, this print showcases various styles of wigs that were popular during different eras. The illustration was originally featured in The Harmsworth Encyclopaedia around 1922, serving as a visual aid to educate readers about the evolution of wig trends. From ancient Egypt to modern times, this artwork highlights the diverse cultural influences on hairstyles. Intriguingly, it depicts notable figures such as Charles II and George III wearing their distinctive wig styles. The image also includes references to French history with mentions of Louis XIV, known as the Sun King and a prominent figure from the Bourbon dynasty. With its intricate details and historical accuracy, this lithograph provides valuable insights into not only fashion but also social customs and traditions across different time periods. It serves as a reminder that even something as seemingly trivial as hair can reflect broader aspects of human culture. This particular print is part of a private collection and is available for viewing thanks to Bridgeman Images' Fine Art Finder platform. Its inclusion in any art enthusiast's collection would undoubtedly spark conversations about both ancient civilizations and contemporary style choices.
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