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Besieging the pit door, the commissariat under difficulties (engraving)

Besieging the pit door, the commissariat under difficulties (engraving)


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Besieging the pit door, the commissariat under difficulties (engraving)

1064293 Besieging the pit door, the commissariat under difficulties (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: Besieging the pit door, the commissariat under difficulties. Illustration for The Graphic, 17 February 1894.); Look and Learn / Illustrated Papers Collection

Media ID 22219336

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Besieging Booze Commissariat Difficulties Drank Goers Lyceum Theatre Media Performing


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EDITORS COMMENTS
In this engraving titled "Besieging the pit door, the commissariat under difficulties" artist Sydney Prior Hall transports us to the bustling streets of London in 1894. The image depicts a chaotic scene outside the Lyceum Theatre, where theater-goers eagerly await entrance to witness a performance. However, it is not just their anticipation that captures our attention; it is also their struggles with alcohol and its consumption. The crowd surrounding the pit door appears frenzied as they jostle for position, clutching newspapers and drinks in hand. The commissariat tasked with managing this situation find themselves overwhelmed by the difficulties posed by these enthusiastic patrons. It seems that alcohol has become an integral part of this theatrical experience, as people seek solace or courage within its intoxicating embrace. Hall's meticulous detail brings forth a vivid portrayal of London society at this time - one filled with both excitement and challenges. Through his artistry, he invites us to ponder on themes such as addiction, social norms, and escapism through entertainment. This intriguing print from Bridgeman Images serves as a window into history - reminding us that while times may change, certain aspects of human behavior remain constant throughout generations. As we gaze upon this snapshot frozen in time, we are compelled to reflect on our own relationship with vices and how they shape our experiences in life.

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