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The Capture of Cetewayo, Arrival of the King at Sir Garnet Wolseleys Camp, Ulundi, 31 August (engraving)

The Capture of Cetewayo, Arrival of the King at Sir Garnet Wolseleys Camp, Ulundi, 31 August (engraving)


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The Capture of Cetewayo, Arrival of the King at Sir Garnet Wolseleys Camp, Ulundi, 31 August (engraving)

1054419 The Capture of Cetewayo, Arrival of the King at Sir Garnet Wolseleys Camp, Ulundi, 31 August (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: The Capture of Cetewayo, Arrival of the King at Sir Garnet Wolseleys Camp, Ulundi, 31 August. Illustration for The Graphic, 18 October 1879.); Look and Learn / Illustrated Papers Collection

Media ID 25188564

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

31 August 60th Rifles Capture Cetewayo Durand Godefroy 1832 1896 Godefroy Durand Kings Dragoon Guards Ulundi


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The Capture of Cetewayo, Arrival of the King at Sir Garnet Wolseley's Camp, Ulundi, 31 August

EDITORS COMMENTS
is a captivating engraving by French artist Durand Godefroy. This artwork depicts a significant event in history that took place on August 31st in the late nineteenth century. The scene portrays the arrival of King Cetewayo at Sir Garnet Wolseley's camp after his capture. The king is accompanied by his wives and surrounded by British soldiers from various regiments such as the 60th Rifles and the King's Dragoon Guards. Lieutenant Alexander, Captain Godson, and Captain Gibbins are among those present during this historic moment. Godefroy skillfully captures the tension and drama of this encounter through intricate details and precise composition. The expressions on each character's face convey a range of emotions - from triumph to resignation. This engraving was originally published in The Graphic on October 18th, 1879. It serves as a visual record of an important event during colonial times when European powers exerted their influence over African nations. Durand Godefroy's work exemplifies his mastery as an artist who documented historical events with great accuracy and artistic flair. Through this print, viewers can gain insight into not only the capture of Cetewayo but also into the broader context of nineteenth-century imperialism. Overall, "The Capture of Cetewayo, Arrival of the King at Sir Garnet Wolseley's Camp" stands as both a remarkable piece of artistry and an invaluable historical document capturing a crucial moment in time.

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