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Countess Teresa Guiccioli (oil on canvas)

Countess Teresa Guiccioli (oil on canvas)


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Countess Teresa Guiccioli (oil on canvas)

3744722 Countess Teresa Guiccioli (oil on canvas) by Pickersgill, Henry William (1782-1875); 140x125 cm; Nottingham City Museums and Galleries (Newstead Abbey); (add.info.: Contessa Teresa Guiccioli (c.1800-73) was the married lover of the Romantic poet Lord Byron while he was living in Ravenna, Italy, and writing the first five cantos of Don Juan.); eNottingham City Museums & Galleries; English, out of copyright

Media ID 23619910

© Nottingham City Museums & Galleries / Bridgeman Images

Blue Dress Chaise Finery Gaze Headband Ringlet Sideways Wealthy Noble


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> Arts > Artists > P > Henry William Pickersgill

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Italy > Emilia-Romagna > Ravenna

> Europe > Italy > Heritage Sites > Early Christian Monuments of Ravenna

> Europe > Italy > Paintings

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Henry William Pickersgill

> Popular Themes > Poets


EDITORS COMMENTS
In this portrait, we are introduced to Countess Teresa Guiccioli, a prominent figure in the Romantic era. Painted by Henry William Pickersgill, this oil on canvas print beautifully captures the essence of an aristocratic Italian woman. Countess Guiccioli's elegance and refinement are evident as she sits gracefully in her blue dress adorned with exquisite jewelry. Her ringlets cascade down her shoulders, framing her face and adding to her allure. With a gaze that exudes both confidence and vulnerability, she captivates the viewer's attention. As we delve into the historical context surrounding this painting, we discover that Countess Guiccioli played a significant role in Lord Byron's life during his time in Ravenna, Italy. She was his married lover while he wrote the first five cantos of Don Juan. This connection adds depth to our understanding of Countess Guiccioli's character and highlights her influence within literary circles. The three-quarter length composition allows us to appreciate not only Countess Guiccioli's physical beauty but also hints at her noble status and wealth through subtle details such as her headband and finery. The chaise upon which she is seated further emphasizes her position within aristocratic society. This remarkable portrait serves as a testament to both Pickersgill's artistic skill and Countess Teresa Guiccioli's enduring legacy as an influential figure during one of literature's most celebrated periods - truly a treasure housed within Nottingham City Museums &

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