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Fugitives from Constantinople (engraving)
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Fugitives from Constantinople (engraving)
1621283 Fugitives from Constantinople (engraving) by Wallis, Henry (1830-1916) (after); Private Collection; (add.info.: Fugitives from Constantinople. Illustration for The Illustrated London News, 28 August 1875.
H Wallis); Look and Learn / Illustrated Papers Collection
Media ID 23554516
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Central Turkey Constantinople Fugitives Istanbul Refugees Turkish Culture Turk
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EDITORS COMMENTS
This print titled "Fugitives from Constantinople" takes us back in time to the year 1875, capturing a moment of turmoil and desperation. The engraving, created by Henry Wallis and featured in The Illustrated London News, transports us to the ancient city of Constantinople (now Istanbul) during a period of unrest. In this scene, we witness a group of fugitives seeking refuge from the chaos that envelops their beloved city. Clad in traditional Turkish attire, these individuals represent the resilience and strength of the people amidst adversity. Their faces reveal both fear and determination as they navigate through narrow streets lined with historic buildings. The image serves as a poignant reminder of the historical significance of Constantinople as a melting pot between Europe and the Middle East. It highlights how political conflicts can force ordinary citizens to become refugees overnight, leaving behind everything they hold dear. As we examine this artwork closely, it becomes evident that it not only captures an important moment in history but also showcases Turkish culture and its unique blend of European and Middle Eastern influences. Through this engraving, Wallis skillfully brings together elements that define Central Turkey's identity while shedding light on universal themes such as displacement and human resilience. Overall, this print is not just an artistic masterpiece but also serves as a powerful testament to our shared humanity across different cultures throughout history.
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