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Judas, c. 1880-1900 (engraving)

Judas, c. 1880-1900 (engraving)


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Judas, c. 1880-1900 (engraving)

CHT440668 Judas, c.1880-1900 (engraving) by Max, Gabriel (1840-1915); Bibliotheque des Arts Decoratifs, Paris, France; © Archives Charmet

Media ID 25464956

© Archives Charmet / Bridgeman Images

Betrayal Betrayer Betraying Betrays Carrion Conspiracy Corpse Crow Crows Iscariot Judas Plot Suicide Symbolism Symbolist Treachery


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> Animals > Birds > Passerines > Crows And Jays > Carrion Crow

> Animals > Birds > Passerines > Crows And Jays > Related Images

> Arts > Artists > M > Gabriel Max

> Europe > France > Paris > Related Images

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Gabriel Max

> Fine Art Finder > New Testament


EDITORS COMMENTS
This print titled "Judas, c. 1880-1900" by Gabriel Max is a hauntingly beautiful engraving that delves into the depths of symbolism and betrayal. The image showcases a crow perched upon a lifeless head, evoking powerful emotions and thought-provoking imagery. Max's artistry skillfully captures the essence of death and treachery through this symbolic portrayal of Judas Iscariot, the infamous betrayer in biblical history. The intricate details in the engraving highlight the artist's mastery, drawing viewers closer to unraveling its hidden meanings. The presence of crows adds an eerie touch to the composition, as these birds are often associated with carrion and darkness. Their inclusion intensifies the overall atmosphere of despair and foreboding within this piece. As part of the symbolist art movement prevalent during Max's time, this artwork reflects his exploration of deeper psychological themes rather than simply depicting reality. It invites contemplation on themes such as conspiracy, plot, and betraying trust – concepts that continue to resonate with audiences today. Displayed against a backdrop provided by Bibliotheque des Arts Decoratifs in Paris, France; this print from Fine Art Finder allows us to appreciate Max's artistic genius while immersing ourselves in his interpretation of one of history's most notorious figures.

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