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Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57
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Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57
6337777 Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57 by English School, (19th century); (add.info.: Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820.); © Florilegius
Media ID 23733642
© Florilegius / Bridgeman Images
1820 Anchor Antelope Bantu Despair Desperation Distress Distressed Drowning East India Company Forsaken Isaac Taylor Kaffir Misery Scenes In Africa Worship Wretch Copperplate Engraving Handcoloured
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EDITORS COMMENTS
The captivating print titled "Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57" by the English School in the 19th century is a thought-provoking depiction of contrasting emotions and cultural encounters. This handcoloured copperplate engraving from Rev. Isaac Taylor's Scenes in Africa showcases the complexities of history and travel through its vivid imagery. In this scene, we witness a Nguni or Bantu warrior displaying his exceptional hunting skills as he pursues an antelope with spears. However, what strikes us is his decision to forsake a woman who finds herself drowning in the treacherous river nearby. The juxtaposition of these two events raises questions about priorities and societal values. Furthermore, we observe the warrior's act of worship towards an anchor salvaged from an East India ship. This intriguing gesture hints at encounters between African tribes and European explorers during that time period. The image evokes feelings of wretchedness, distress, despair, and desperation for both the forsaken woman and those witnessing her plight. It serves as a reminder that even amidst moments of triumph or pursuit for survival, there are instances where compassion may be overlooked or overshadowed by other influences. This historical artwork not only captures significant aspects of African culture but also invites viewers to reflect on themes such as sacrifice, cultural exchange, and human nature itself.
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