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Old Fashioned Sporting Pictures (colour litho)
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Old Fashioned Sporting Pictures (colour litho)
729113 Old Fashioned Sporting Pictures (colour litho) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Old Fashioned Sporting Pictures, and the Road in Byegone Days. Coach at The Doplhin, Greenwich by Thomas Rowlandson. Changing Horses by Thomas Rowlandson. Barouche, 1825 by M E. The Royal Hunt (Time of George III) by A Grant.); Look and Learn / Bernard Platman Antiquarian Collection
Media ID 23173822
© Look and Learn / Bernard Platman Antiquarian Collection / Bridgeman Images
Coach Engravings George Iii George Iv Hunts Prince Of Wales Queen Charlotte Duke Of Queensberry Shire Horse Stallions
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This vibrant and captivating print titled "Old Fashioned Sporting Pictures" takes us back in time to the 19th century, offering a glimpse into the world of leisurely pursuits and equestrian sports. The colour litho artwork by Thomas Rowlandson showcases a collection of engravings that depict various scenes from this era. From the bustling coach at The Dolphin in Greenwich to the exhilarating Royal Hunt during George III's reign, these illustrations transport us to a bygone age filled with excitement and elegance. We witness horses changing hands, elegant barouches traversing picturesque landscapes, and hunts led by notable figures such as Colonel Lake and Duke of Queensberry. The attention to detail in each engraving is remarkable, capturing not only the gracefulness of horses but also showcasing wildlife animals like racehorses, ponies, shire horses, stallions, and livestock. These images provide an insight into English sporting culture while also hinting at German influence on hunting traditions. As we admire this exquisite piece from Bernard Platman Antiquarian Collection offered by Fine Art Finder's Bridgeman Images collection, we are reminded of how art can preserve history and evoke nostalgia. This print serves as a window into an era where sportsmanship intertwined with social gatherings against stunning European backdrops. It invites us to appreciate both the artistic mastery behind these engravings and their cultural significance within British society during that period.
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