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A Palaver in Ashantee, Interview between King Quaco Duah, of Coomassie, and the British Commissioner (engraving)

A Palaver in Ashantee, Interview between King Quaco Duah, of Coomassie, and the British Commissioner (engraving)


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A Palaver in Ashantee, Interview between King Quaco Duah, of Coomassie, and the British Commissioner (engraving)

1045129 A Palaver in Ashantee, Interview between King Quaco Duah, of Coomassie, and the British Commissioner (engraving) by Symons, William Christian (1845-1911); Private Collection; (add.info.: A Palaver in Ashantee, Interview between King Quaco Duah, of Coomassie, and the British Commissioner. Illustration for The Graphic, 14 February 1885.); Look and Learn / Illustrated Papers Collection; English, out of copyright

Media ID 23544192

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Ashantee British Commissioner Coomassie Ghana Interview Palaver


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EDITORS COMMENTS
This engraving titled "A Palaver in Ashantee, Interview between King Quaco Duah of Coomassie and the British Commissioner" by William Christian Symons takes us back to a significant moment in history. The scene depicts an intense meeting between two powerful figures, representing different cultures and interests. In this image, we witness the fusion of traditional African attire with the formal dress of the British commissioner. King Quaco Duah stands tall in his regal tribal garments, exuding authority and pride. His presence is juxtaposed against the composed demeanor of the British commissioner who represents colonial influence. The term "palaver" refers to a discussion or negotiation, highlighting the diplomatic nature of this encounter. It symbolizes a critical moment where both parties strive to understand each other's perspectives while safeguarding their own interests. Set against the backdrop of Coomassie (now Kumasi), Ghana's historical capital city, this artwork offers a glimpse into an era when European powers sought control over African territories. It serves as a reminder that these encounters were not merely confrontations but also opportunities for dialogue and understanding. Symons' skillful engraving captures every intricate detail - from facial expressions to clothing patterns - allowing viewers to immerse themselves in this historic event. This print invites contemplation on themes such as power dynamics, cultural exchange, and diplomacy during a time when Africa was undergoing significant changes due to colonialism.

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