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Pandulph, the Popes legate, receiving the submission of King John, 1213 (engraving)
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Pandulph, the Popes legate, receiving the submission of King John, 1213 (engraving)
7149382 Pandulph, the Popes legate, receiving the submission of King John, 1213 (engraving) by English School, (19th century); Private Collection; (add.info.: Pandulph, the Popes legate, receiving the submission of King John, 1213. Illustration from A Series of Prints of English History, by Mrs Trimmer (Baldwin and Cradock, N Hailes, and John Marshall, London, 1828).); © Look and Learn
Media ID 24732866
© Look and Learn / Bridgeman Images
13 13th Xiii Xiiith Century 13 Century 13th Century Crowns Enthronement Humiliate Humiliated Humiliation John I John I King Of England 1167 1216 John Lackland Madieval Marharaja Monarchic Plantagenet Dynasty Royalism Thirteenth Century Xiii Century Xiii Secolo Xiiith Century Late Middle Age Medieval Period
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EDITORS COMMENTS
The engraving titled "Pandulph, the Popes legate, receiving the submission of King John, 1213" captures a significant moment in English history. Created by an anonymous English School artist in the 19th century, this print depicts a scene from A Series of Prints of English History by Mrs Trimmer. In the image, Pandulph, representing Pope Innocent III, stands tall and authoritative as he receives the submission of King John. The year is 1213 during the reign of John I, also known as John Lackland. This historical event marked a pivotal moment when King John was forced to submit to Papal authority after his excommunication for defying church laws. The engraving showcases both political power and religious influence. The crown on Pandulph's head symbolizes his role as a representative of divine authority while emphasizing his dominance over King John. Meanwhile, King John appears humiliated and defeated as he kneels before Pandulph. This artwork offers us a glimpse into medieval England during the late Middle Ages when monarchs were subject to both secular and religious powers. It serves as a reminder that even kings had their limits and could be brought down to their knees by external forces. Overall, this print invites viewers to reflect on themes such as power dynamics between church and state and the consequences faced by those who challenge established authorities.
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