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Pieta from Book of Hours, MS 92 f.18v, Western France, 1490-1510 (pen & ink with tempera on parchment)

Pieta from Book of Hours, MS 92 f.18v, Western France, 1490-1510 (pen & ink with tempera on parchment)


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Pieta from Book of Hours, MS 92 f.18v, Western France, 1490-1510 (pen & ink with tempera on parchment)

8374206 Pieta from Book of Hours, MS 92 f.18v, Western France, 1490-1510 (pen & ink with tempera on parchment) by French School, (15th-16th century); 22.8 x 14.8 cm; Fitzwilliam Museum, University of Cambridge, UK; © Fitzwilliam Museum

Media ID 33095012

© © Fitzwilliam Museum / Bridgeman Images

Apostles Book Of Hours Crucified Dead Christ Disciples Easter Foliage Foliate Hours Hybrid Hybrids Joust Jousters Jousting Margin Marginalia Mourners Parchment Passion Of Christ Scourged Script Tempera Wf Adok Wf Kwd Wf Opac Mourning Scourges


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EDITORS COMMENTS
This print showcases the exquisite "Pieta from Book of Hours" manuscript, originating from Western France between 1490 and 1510. Created by an anonymous French School artist during the transition from the 15th to the 16th century, this masterpiece measures approximately 22.8 x 14.8 cm and is currently housed in the prestigious Fitzwilliam Museum at the University of Cambridge. The artwork itself depicts a poignant scene of immense religious significance - the Pieta. In delicate pen and ink with tempera on parchment, it portrays Jesus Christ's lifeless body cradled in his mother Mary's arms after being taken down from the cross. The intricate details are awe-inspiring; every stroke captures Mary's grief-stricken expression as she mourns her son's sacrifice. Surrounding this central image, a beautifully adorned border features floral motifs, foliage, and foliate designs that add depth and intricacy to the composition. The use of gothic bookhand script further enhances its medieval charm. Through this remarkable piece, we are transported back in time to witness a momentous event in Christian history – one that symbolizes redemption and hope for believers worldwide. Its illuminated pages serve as a testament to both artistic skill and spiritual devotion prevalent during this period. Michael Jones' photograph expertly captures all these elements, allowing us to appreciate not only its historical significance but also its aesthetic beauty. It serves as a reminder of our shared cultural heritage and invites contemplation on themes of faith, love, loss, and resurrection depicted within this extraordinary work of art.

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