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Prison Life in England, Part I, the Career of a Convict (engraving)
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Prison Life in England, Part I, the Career of a Convict (engraving)
1052712 Prison Life in England, Part I, the Career of a Convict (engraving) by Corbould, Alfred Chantrey (1852-1920); Private Collection; (add.info.: Prison Life in England, Part I, the Career of a Convict. Illustration for The Graphic, 15 February 1873.); Look and Learn / Illustrated Papers Collection
Media ID 23040638
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Bay Of Water Career Cellars Convict Dock Docks Habor Harbour Place Harbour Wall Leading Marina Bay Mooring Moorings Newgate Old Bailey Open Passage Pier Pontoons Prison Life Prisoners Stairs Waiting Wharf
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EDITORS COMMENTS
This engraving, titled "Prison Life in England, Part I, the Career of a Convict" takes us back to the 19th century and offers a glimpse into the harsh realities of life behind bars. The image showcases a bustling scene within an English prison, as prisoners are seen making their way through various stages of their incarceration. The composition is filled with intricate details that bring this historical moment to life. A group of inmates can be observed ascending a set of stairs, guided by guards towards their cells located deep within the prison's cellars. The passage leading to these dimly lit chambers is lined with foreboding iron bars and evokes a sense of confinement and despair. In the background, we catch sight of an open court where justice is dispensed at London's Old Bailey. This juxtaposition highlights the stark contrast between freedom and imprisonment that these convicts face throughout their criminal careers. Beyond the walls of this institution lies a bustling harbor scene featuring docks, pontoons, and moorings. This serves as a reminder that while confined to their cells, these individuals are cut off from society but remain connected to it physically. Alfred Chantrey Corbould masterfully captures both the physical environment and emotional weight associated with prison life during this era. Through his skillful engravings for The Graphic in 1873, he sheds light on an often overlooked aspect of history – one that continues to resonate today as we reflect upon our own criminal justice system.
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