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Screen, 1885-90 (walnut)
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Screen, 1885-90 (walnut)
2972971 Screen, 1885-90 (walnut) by English School, (19th century); The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English, out of copyright
Media ID 23135860
© Geffrye Museum / Bridgeman Images
1800s Accessioned Object Aesthetic Aesthetic Movement Architectural Feature Architectural Features Beliefs Color Image Color Images Colour Images Computer Computers Cultures Decoration And Furnishing Decoration And Furnishings Decorations Electrical Appliance Electrical Appliances Exhibitions Feature Features Format Formats Furnishing Geometric Lifestyle Lifestyle And Culture Monitor Moorish Moorish Architecture Muslims Orientation Patterned Patterns Screen Screens Studio Shots Walnut White Backgrounds Macs Monitors Societies
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EDITORS COMMENTS
This print showcases the exquisite "Screen, 1885-90 (walnut)" by the English School of the 19th century. Currently housed in The Geffrye Museum of the Home in London, UK, this stunning piece is a true testament to the rich cultural and religious diversity that existed during its time. Crafted from walnut wood, this screen represents an intriguing fusion of architectural features and decorative elements inspired by various societies and religions. With its intricate geometric patterns and Moorish influences, it serves as both a functional furnishing and a work of art. The screen's aesthetic appeal lies in its vibrant color palette and meticulous attention to detail. Its patterned design creates a visually striking contrast against the white background, drawing viewers into its world of elegance and sophistication. As we delve deeper into this artwork's historical context, we are reminded of how religion played a significant role in shaping societies during the 19th century. This screen served as an important symbol for Muslims at that time, reflecting their beliefs and orientation towards Islamic culture. Through this print captured by Bridgeman Images, we are transported back to an era where screens like these were not only objects of utility but also reflections of one's lifestyle and cultural identity. It stands as a remarkable representation of Victorian furnishings influenced by Islamic architecture within the broader context of society's fascination with aesthetics during the late 1800s.
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