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Terra Cotta Figure of a Bacchante, by Clodion (engraving)

Terra Cotta Figure of a Bacchante, by Clodion (engraving)


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Terra Cotta Figure of a Bacchante, by Clodion (engraving)

1611362 Terra Cotta Figure of a Bacchante, by Clodion (engraving) by English School, (19th century); Private Collection; (add.info.: Terra Cotta Figure of a Bacchante, by Clodion. Illustration for The Illustrated London News, 26 September 1868.
English School (19th Century)); Look and Learn / Illustrated Papers Collection

Media ID 23000442

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Bacchante Clodion Fine Arts Roman Mythology


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EDITORS COMMENTS
This engraving showcases a Terra Cotta Figure of a Bacchante, created by the talented artist Clodion. The intricate details and skillful craftsmanship are evident in this exquisite piece of Roman mythology-inspired art. The Bacchante, known as a female follower of the god Bacchus (also known as Dionysus), is depicted here with grace and elegance. Her flowing robes drape around her body, emphasizing her sensual curves and delicate features. With one hand raised gracefully above her head, she exudes an air of celebration and joy. Clodion's mastery in sculpting terra cotta is highlighted in this print, capturing every nuance and texture of the figure. The fine lines etched into the clay bring depth to the artwork, making it come alive on paper. As we gaze upon this enchanting creation from the 19th century English School collection, we are transported back in time to an era where mythological tales were revered and celebrated through art. This engraving serves as a reminder of our rich artistic heritage and offers us a glimpse into ancient Roman culture. Displayed proudly in private collections worldwide, this Terra Cotta Figure of a Bacchante continues to inspire awe and admiration for its beauty and historical significance. Bridgeman Images has preserved this masterpiece for all to appreciate - a testament to their dedication to preserving fine arts for generations to come.

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