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Titus Oates in the Fleet Street Pillory (1685) in the Reign of Charles II (engraving)
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Titus Oates in the Fleet Street Pillory (1685) in the Reign of Charles II (engraving)
671083 Titus Oates in the Fleet Street Pillory (1685) in the Reign of Charles II (engraving) by English School, (19th century); Private Collection; (add.info.: Titus Oates in the Fleet Street Pillory (1685) in the Reign of Charles II. Illustration for the Historical Scrap Book (Cassel, c 1880). Digitally cleaned image.); © Look and Learn
Media ID 23549924
© Look and Learn / Bridgeman Images
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EDITORS COMMENTS
This engraving captures a significant moment in history, showcasing Titus Oates confined to the Fleet Street Pillory during the reign of Charles II. The image, created by an anonymous English artist in the 19th century, offers a glimpse into the tumultuous political climate of the time. Titus Oates was a controversial figure who played a central role in what came to be known as the "Popish Plot". This fabricated conspiracy alleged that there was a Catholic plot to assassinate King Charles II and replace him with his brother James, Duke of York. Oates' false claims led to widespread paranoia and anti-Catholic sentiment throughout England. In this scene, we witness Oates enduring public humiliation within the confines of the pillory on Fleet Street. Surrounded by curious onlookers and passersby, he is exposed both physically and emotionally for his deceitful actions. The engraving's meticulous details bring forth an atmosphere charged with tension and curiosity. The historical significance of this print cannot be overstated; it serves as a reminder of how fear and manipulation can shape society's perception. As we gaze upon this digitally cleaned image from Cassel's Historical Scrap Book (c 1880), we are transported back to an era where power struggles were rife, truth was elusive, and reputations could crumble under scrutiny. Bridgeman Images allows us access to this thought-provoking artwork through Fine Art Finder without commercial use intentions but rather for educational purposes or personal appreciation.
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