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Vieni o caro che senza il suo core, f. 7r from Aditionall [sic] songs for Rinaldo
![Vieni o caro che senza il suo core, f. 7r from Aditionall [sic] songs for Rinaldo](/p/690/vieni-o-caro-che-senza-il-suo-core-f-22335360.jpg.webp "Vieni o caro che senza il suo core, f. 7r from Aditionall [sic] songs for Rinaldo")
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Vieni o caro che senza il suo core, f. 7r from Aditionall [sic] songs for Rinaldo
5321236 Vieni o caro che senza il suo core, f.7r from Aditionall [sic] songs for Rinaldo, c.1717 (pen & ink on paper) by Handel, George Frederick (1685-1759); 24x30 cm; Gerald Coke Handel Collection, Foundling Museum, London; (add.info.: Black ink on 10-stave paper. A contemporary manuscript containing four arias in full score. At the head of f.1 is the title aditionall [sic] songs for Rinaldo 1717, in ink, apparently in a different hand; the copyist has been identified as RM 4 [see Hallische HAandel-Ausgabe (HHA)]. The critical commentary of the Rinaldo 1711 edition identifies the present manuscript as source R (HHA II/4.1, p.257).The four arias are reproduced as additional arias in the HHA critical edition of Rinaldo 1711, although only two (Ogni tua bella stilla and Sorte, amor) are listed in HWV. The Shaftesbury manuscript entitled La Lucretia containing various opera arias [see accession no.248] also contains the same four arias, and is listed by HHA as source S.On the last page of the manuscript are eight bars of unidentified music in the hand of Jennens. Together with the manuscript is a reprint by First Edition Bookshop of the article Recently-discovered Handel Manuscripts (Musical Times, April 1937) by William C. Smith, who had examined the manuscript whilst still in the possession of Cecil Hopkinson, and four pages of notes in the hand of W.C. Smith.); eGerald Coke Handel Collection, Foundling Museum; German, out of copyright
Media ID 22335360
© Gerald Coke Handel Collection, Foundling Museum / Bridgeman Images
Handwritten Lyrics Page Rinaldo Sheet Music Song Songs Vocal Additional
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EDITORS COMMENTS
This print showcases "Vieni o caro che senza il suo core, f. 7r from Additional [sic] songs for Rinaldo" a remarkable piece by George Frederick Handel. The artwork, measuring 24x30 cm, is part of the esteemed Gerald Coke Handel Collection at the Foundling Museum in London. Rendered in pen and ink on paper, this black ink masterpiece features ten-stave paper with four arias presented in full score. At the top of page one, an inscription reads "additional [sic] songs for Rinaldo 1717" possibly written by a different hand. Scholars have identified RM4 as the copyist responsible for this manuscript. The critical commentary on Handel's Rinaldo edition from 1711 recognizes this particular manuscript as source R (HHA II/4.1, p. 257). Two of the reproduced arias - "Ogni tua bella stilla" and "Sorte, amor" - are listed in HWV; however, all four can be found as additional arias in HHA's critical edition of Rinaldo 1711. Interestingly, the last page of this manuscript contains eight bars of unidentified music penned by Jennens himself. Accompanying the print is also a reprint article by William C. Smith titled "Recently-discovered Handel Manuscripts" from Musical Times (April 1937), along with notes handwritten by W. C. Smith. This extraordinary photograph provides us with an intimate glimpse into Handel's creative process and offers valuable insights into his renowned opera compositions like never before.
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