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Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)

Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)


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Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)

ALG349739 Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990) by Donatello, (c.1386-1466); San Lorenzo, Florence, Italy; (add.info.: finished by his pupils Bertoldo and Bartolomeo Bellano; scenes show the Maries at the Sepulchre; ); Italian, out of copyright

Media ID 22376838

© Bridgeman Images

Aux Limbes Lawrence Luke Mocking Of Christ Panel Pentecost Resurrection Christ In Limbo


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> Historic > Renaissance art

> Italian renaissance art

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EDITORS COMMENTS
This print showcases the intricate details of Donatello's masterpiece, the Pulpit from the south side of the nave. Created in 1460, this bronze sculpture is a true testament to Italian Renaissance sculpture. The artist's exceptional skill and attention to detail are evident in every aspect of this work. The pulpit, located at San Lorenzo in Florence, Italy, was completed by Donatello's pupils Bertoldo and Bartolomeo Bellano. It depicts scenes from the Maries at the Sepulchre, capturing their grief and devotion with remarkable realism. The relief panels on this pulpit depict various significant moments from Christian mythology such as Christ's martyrdom and resurrection. Each panel tells a story that engages viewers and invites them into a deeper understanding of these biblical events. Donatello's ability to breathe life into his sculptures is truly awe-inspiring. From the delicate folds of fabric to the expressions on each figure's face, every element contributes to an overall sense of beauty and emotion. As we gaze upon this detailed photograph print by Bridgeman Images, we are transported back in time to witness firsthand one of history's most renowned sculptural achievements. This artwork serves as a reminder not only of Donatello's genius but also of humanity's enduring fascination with art that transcends time itself.

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