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Corset (view L), 1840-50 (cotton, metal, leather & satin)
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Corset (view L), 1840-50 (cotton, metal, leather & satin)
3073108 Corset (view L), 1840-50 (cotton, metal, leather & satin) by Unknown Artist, (19th century); height: 39 cm; Manchester Art Gallery, UK; (add.info.: Black cotton satin lined with khaki twilled cotton. Fronts each in one piece, shaped to bust by two gussets, two vertical and two diagonal bones, remainder quilted, front edges boned and laced through thirteen metal eyelet holes, metal eyelet hole at top edge; very straight back in one piece, shaped to hip by two gussets each side, fourteen vertical bones, remainder quilted; top edge cut away at underarm, bound with petersham at front and brown leather at back, lower edge bound with navy blue tape; leather patch at centre back inside hem; decorative red stitching along outside waistline and at base of gusset.
Length (front)
height: 39cm
Length (back)
height: 36cm
Quilting is a craft or technique so old that its origins seem to stretch into deepest history. Basic quilting consists of two layers of outer fabric stitched over a lining of softer padding, although cord or thick thread can also be used to form the raised pattern. It was certainly known to the Romans, and the noun "quilt" is derived from the latin "culcita" meaning mattress filled with feathers or soft wool. In the Europe of the Middle Ages, quilting was much used for jerkins or vests worn under heavy armour, or as an actual padded lining to it. By the eighteenth century, quilted garments were popular for warmth and as protection against draughts. Women's decorative petticoats were particularly common, but also cloaks, caps and sleeveless bodices or jumps, as well as bed covers, men's waistcoats, children's caps and staybands and baby's robes. Some items were ready-made in workshops or by outworkers, particularly bed quilts and women's silk petticoats. The London Tradesman (1747) wrote that "quilted petticoats are made mostly by women, and some men, who are employed by the shops but earn little." Designs tended to be either simple geometrics like diamond panes, or more fluid stylised flowers, leaves and feathers; and cotton, linen or silk could provide the outer layer. Sometimes quilted pieces could also be printed or painted to add another decorative veneer, as in the main image from a quilted cloak. In essence, it is a technique which perfectly marries the decorative with the practical.); © Manchester Art Gallery
Media ID 32144446
© Manchester Art Gallery / Bridgeman Images
1840s Boned Corset Corsica Laced Stays Underwear Womens
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EDITORS COMMENTS
This print showcases a stunning corset from the 19th century. The corset, created by an unknown artist, is made of cotton, metal, leather, and satin. Its intricate design and craftsmanship are truly remarkable. The front of the corset is shaped to accentuate the bust with two gussets and vertical and diagonal bones. The rest of the corset features exquisite quilting for added texture and detail. Thirteen metal eyelet holes allow for lacing at the front edges. The back of the corset is straight in one piece but shaped to hug the hips with gussets on each side. Fourteen vertical bones provide structure while maintaining comfort. The top edge is cut away at underarm and bound with petersham at the front and brown leather at the back. Decorative red stitching along the outside waistline adds a pop of color to this elegant garment. A leather patch can be found at the center back inside hem, showcasing attention to even minute details. Quilting has been used throughout history for both practicality and decoration. From Roman times to medieval Europe, quilted garments provided warmth or acted as padding under heavy armor. In later centuries, quilted pieces became fashionable items such as women's petticoats or men's waistcoats. This print captures not only a beautiful piece of fashion history but also highlights how quilting seamlessly combines functionality with artistic expression.
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