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Room-i-darwazar or the Constantinople Gate, Lucknow (b / w photo)
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Room-i-darwazar or the Constantinople Gate, Lucknow (b / w photo)
NAM310753 Room-i-darwazar or the Constantinople Gate, Lucknow (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info.: associated with the Indian Mutiny (1857-59); ); eNational Army Museum; British, out of copyright
Media ID 22660246
© National Army Museum / Bridgeman Images
Aftermath Damaged Devastation Gateway Islamic Architecture Moslem Mughal Remains Rubble Walled War Damage Wasteland
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EDITORS COMMENTS
The photograph titled "Room-i-darwazar or the Constantinople Gate, Lucknow" captures a haunting scene of destruction and devastation. Taken by Felice Beato during the Indian Mutiny in 1857-59, this image showcases the aftermath of war on an ornate gateway. The intricate carvings that once adorned the entrance now stand as remnants amidst a wasteland of rubble. The Islamic architecture, reminiscent of Mughal design, is still visible despite being damaged by conflict. This photograph serves as a poignant reminder of the toll that war takes on cultural heritage. The gate's grandeur contrasts sharply with its current state - a stark symbol of loss and ruin. The surrounding walls, once protective barriers, now lay broken and crumbled. It is through Beato's lens that we witness the powerlessness against war's destructive force. This image invites contemplation about the consequences of conflict and raises questions about preservation and restoration efforts for historical sites affected by warfare. It also highlights how photography can capture moments frozen in time, allowing us to reflect upon history's impact on our present. Displayed at London's National Army Museum, this photograph stands as both a testament to human resilience amidst destruction and a call to protect our shared cultural heritage from further harm.
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