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Another shotgun wedding, with neither party willing, 1897 (chromolithograph)
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Another shotgun wedding, with neither party willing, 1897 (chromolithograph)
5962965 Another shotgun wedding, with neither party willing, 1897 (chromolithograph) by Taylor, Charles (1855-1929); Private Collection; (add.info.: Uncle Sam marries a young woman " Hawaii" ; while a former Confederate general labeled " Sen. Morgan" holds a shotgun " Bluster", minister " McKinley" (William McKinley 1843-1901, 25th President of the United States) reads from the " Annexation Policy" which he signed in 1897); American, out of copyright
Media ID 23571956
© Bridgeman Images
American President Foreign Policy Imperialism Intervention Jingoism Latin America Nationalism Puck Republican Republican Party Uncle Sam Us President Symbolic
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EDITORS COMMENTS
This chromolithograph print titled "Another shotgun wedding, with neither party willing" captures a satirical depiction of the political landscape in 1897. Created by Charles Taylor, it showcases Uncle Sam marrying a young woman symbolizing Hawaii, while Senator Morgan, representing a former Confederate general, holds a shotgun labeled "Bluster". The minister in the scene is none other than President William McKinley himself, reading from the "Annexation Policy" he signed that year. The image serves as a commentary on American foreign policy and imperialism during this time period. It highlights themes of interventionism and jingoism as Uncle Sam forcefully weds Hawaii under the watchful eye of political figures. The cartoon-like caricatures add to its satirical nature. Through clever symbolism and illustration techniques, Taylor conveys his criticism of America's expansionist ambitions and colonial aspirations. This piece reflects the tensions surrounding issues such as nationalism and territorial acquisition that were prevalent during this era. As an artifact from the late 19th century, this print offers valuable insights into both historical events and political sentiments at that time. Its artistic style combined with its underlying message makes it an intriguing visual representation of American politics in relation to Latin America and Spain during this period.
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