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Hunters mask (dannana), early to mid-20th century (wood and encrustation)
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Hunters mask (dannana), early to mid-20th century (wood and encrustation)
1072244 Hunters mask (dannana), early to mid-20th century (wood and encrustation) by Dogon Culture; 37.8x15.5x21.3 cm; Dallas Museum of Art, Texas, USA; gift of John Lunsford in gratitude for Margaret McDermotts great devotion to traditional African Art; African, out of copyright
Media ID 22633868
© gift of John Lunsford in gratitude for Margaret McDermott's great devotion to traditional African Art / Bridgeman Images
Aggressive Camouflage Disguise Encrusted Mali Malian Masks Scary Threatening West African
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EDITORS COMMENTS
This photograph showcases a remarkable piece of art known as the "Hunters mask (dannana)" from the early to mid-20th century. Created by the Dogon Culture, this wooden mask with encrustation stands at an impressive size of 37.8x15.5x21.3 cm and is currently housed in the Dallas Museum of Art, Texas, USA. The intense gaze emanating from this carved West African mask immediately captures one's attention. Its aggressive expression is accentuated by a heavy brow that adds an air of mystery and power to its presence. The intricate details on its face reveal the craftsmanship and skill involved in its creation. The purpose behind this African hunters mask was not only to disguise oneself but also to blend seamlessly into nature through camouflage techniques. Encrusted with elements found in Mali, it exudes a threatening aura that would strike fear into any prey or foe encountered during hunting expeditions. As we delve deeper into this image, we cannot help but feel a sense of unease mixed with fascination for these traditional masks used by Malian hunters. Their scary appearance serves as a reminder of their importance within their cultural context and their role in ensuring survival for both individuals and communities alike. Through this photograph captured by Bridgeman Images, we are transported into the world where ancient traditions meet contemporary appreciation for fine art – all while paying homage to Margaret McDermott's great devotion towards preserving traditional African art forms.
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