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Tomb of Archbishop Theodore, c. 677-88 (marble)

Tomb of Archbishop Theodore, c. 677-88 (marble)


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Tomb of Archbishop Theodore, c. 677-88 (marble)

ALI237399 Tomb of Archbishop Theodore, c.677-88 (marble) by Byzantine School (7th century); Basilica Sant Apollinare in Classe, Ravenna, Emilia-Romagna, Italy; Alinari

Media ID 22356208

© Alinari / Bridgeman Images

Early Christian Funerary Peacocks Sarcophagus Symbols


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> Arts > Artists > Related Images

> Arts > Sculpture

> Europe > Italy > Emilia-Romagna > Ravenna

> Europe > Italy > Heritage Sites > Early Christian Monuments of Ravenna

> Europe > Italy > Sculptures

> Fine Art Finder > Artists > Francesco Paolo Michetti

> Fine Art Finder > Artists > School Byzantine

> Fine Art Finder > Sculpture


EDITORS COMMENTS
This print captures the intricate beauty of the Tomb of Archbishop Theodore, a masterpiece created by the Byzantine School in the 7th century. Carved from marble, this funerary monument is located in Basilica Sant Apollinare in Classe, Ravenna, Italy. The photograph showcases the remarkable craftsmanship and attention to detail that went into creating this ancient work of art. The relief carving on the sarcophagus depicts various symbols and motifs associated with early Christianity. One cannot help but be drawn to the prominent presence of a cross at its center, symbolizing faith and salvation. Peacocks are also prominently featured in this composition, their elegant forms adding a touch of gracefulness to an otherwise solemn scene. These birds were often used as symbols of immortality and resurrection during this period. One cannot ignore the striking Chi Rho symbol carved onto one side of the tomb. This monogram represents Christ's name using Greek letters and serves as a powerful reminder of his divinity. Through this print from Bridgeman Images' Fine Art Finder collection, viewers can appreciate not only the historical significance but also marvel at how such delicate carvings have stood strong for centuries. It offers us a glimpse into an era when art was not just aesthetically pleasing but carried deep religious meaning as well.

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