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Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter
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Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter
2972701 Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter, 1518-20 (black chalk, heightened with white chalk and lead white, partially oxidized, over stylus underdrawing, on cream laid paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 28.6x19.7 cm; The Art Institute of Chicago, IL, USA; The Leonora Hall Gurley Memorial Collection; Italian, out of copyright
Media ID 22692928
© The Leonora Hall Gurley Memorial Collection / Bridgeman Images
Hands Palm Palms Peter Studies Upraised
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EDITORS COMMENTS
This print showcases Raphael's exquisite study for Saint Peter, titled "Upraised Right Hand, with Palm Facing Outward". Created between 1518-20, this Renaissance masterpiece demonstrates the artist's meticulous attention to detail and his ability to capture the essence of human anatomy. The drawing depicts a hand in an upright position, with the palm facing outward. The use of black chalk, heightened with white chalk and lead white, adds depth and dimension to the composition. The partially oxidized paper further enhances the vintage charm of this artwork. Raphael's study for Saint Peter is a testament to his mastery of capturing emotions through art. The delicate lines and shading bring life to the hand, evoking a sense of strength and power associated with saints. This drawing serves as a valuable reference for artists studying hands or seeking inspiration from Renaissance techniques. Housed in The Art Institute of Chicago as part of The Leonora Hall Gurley Memorial Collection, this print offers viewers an opportunity to appreciate Raphael's genius up close. It transports us back in time to witness the artistic brilliance that continues to inspire generations today. As we admire this remarkable piece by Bridgeman Images from Fine Art Finder, we are reminded once again why Raphael remains one of history's most celebrated artists – his ability to breathe life into every stroke he made on paper.
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