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Group of fifteen camp attendants to the Prince of Waless party at Beirut
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Group of fifteen camp attendants to the Prince of Waless party at Beirut
PEF446183 Group of fifteen camp attendants to the Prince of Waless party at Beirut, 1862 (b/w photo) by Bedford, Francis (1816-94); Palestine Exploration Fund, London, UK; ePalestine Exploration Fund; English, out of copyright
Media ID 23497280
© Palestine Exploration Fund / Bridgeman Images
Attendant Attendants Beirut Cleaner Cleaning Lady Edward Vii Governess Housekeeper Housemaid Lebanese Lebanon Prince Of Wales Maid
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EDITORS COMMENTS
This photograph captures a significant moment in history - a group of fifteen camp attendants to the Prince of Wales's party at Beirut in 1862. The image, taken by Francis Bedford, showcases the rich cultural heritage of Lebanon through its subjects' traditional dress. The attendants stand proudly alongside their seated royal counterparts, exuding an air of elegance and grace. Each individual is adorned in intricate garments that reflect their Lebanese roots, adding vibrancy to the scene. Their costumes symbolize not only their personal identity but also serve as a visual representation of Lebanon's diverse cultural tapestry. Amongst this distinguished group are various domestic servants such as maids, housemaids, cleaners, and housekeepers who have been entrusted with ensuring the smooth running of this grand event. Their presence reminds us of the behind-the-scenes efforts required for such occasions. As we delve into this historical snapshot, it becomes apparent that this gathering holds great significance for both Lebanon and Britain. It serves as a testament to the enduring relationship between these two nations while offering a glimpse into the opulence and splendor associated with royalty during that era. Preserved by the Palestine Exploration Fund in London, this photograph stands as an invaluable piece documenting an important chapter in Lebanese-British relations. Its timeless appeal continues to captivate viewers today, allowing us to appreciate both its artistic merit and historical context.
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