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Sketches in British East Africa (engraving)

Sketches in British East Africa (engraving)


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Sketches in British East Africa (engraving)

1627141 Sketches in British East Africa (engraving) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: Sketches in British East Africa. Illustration for The Illustrated London News, 28 June 1890.
Henry Charles Seppings Wright); Look and Learn / Illustrated Papers Collection

Media ID 22861926

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

1635 British East Africa East Africa Erected Fort Kenya Mombasa Prisoners Raided Stone Church


FEATURES IN THESE COLLECTIONS

> Africa > Kenya > Mombasa

> Architecture > Churches

> Architecture > Country > Africa

> Architecture > Villages

> Arts > Artists > W > Henry Charles Seppings Wright

> Arts > Realistic drawings > Architectural sketches > Fine art prints

> Fine Art Finder > Artists > Frederick (after) Barnard

> Fine Art Finder > Artists > Henry Charles Seppings Wright


EDITORS COMMENTS
This print titled "Sketches in British East Africa" takes us back to the late 19th century, immersing us in the rich history and architectural wonders of this enchanting region. The engraving, created by Henry Charles Seppings Wright, offers a glimpse into the diverse landscapes and cultural heritage that defined British East Africa. In this image, we are transported to a picturesque scene featuring the majestic Mount Kilimanjaro as its backdrop. Our eyes are immediately drawn to an old Portuguese fort standing proudly amidst the vibrant surroundings. Its weathered stone walls tell tales of ancient battles and colonial conquests. The artist's attention to detail is evident as he skillfully captures various elements within this composition. A stone church emerges from behind the fort, symbolizing both religious devotion and architectural beauty. Nearby, we witness tribal villagers going about their daily lives while prisoners are held captive within their confines. As our gaze wanders further into the frame, we discover a Taita chief alongside a dreaded Masai warrior - representatives of indigenous communities whose traditions have withstood the test of time. Through this remarkable artwork, Wright transports us back in time to experience firsthand the intricate tapestry of life in British East Africa during this era. It serves as a testament not only to his artistic prowess but also to our collective human history etched upon these lands forever.

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