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Lord Byrons Childe Harold, Canto IV, Stanza 36 (engraving)
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Lord Byrons Childe Harold, Canto IV, Stanza 36 (engraving)
5989894 Lord Byrons Childe Harold, Canto IV, Stanza 36 (engraving) by Wehnert, Edward Henry (1813-68) (after); Private Collection; (add.info.: Canto IV, Stanza 36. One of Thirty Illustrations for Childe Harold by Lord Byron (Art Union of London, 1855).); © Look and Learn
Media ID 22573060
© Look and Learn / Bridgeman Images
Canto Iv Childe Harold Lord Byron Prison Torquato Tasso Verse
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EDITORS COMMENTS
This engraving, titled "Lord Byron's Childe Harold, Canto IV, Stanza 36" transports us into the world of poetic imagination. Created by Edward Henry Wehnert in the mid-19th century, this print captures a pivotal moment from Lord Byron's renowned poem. The scene depicted here is filled with both mystery and melancholy. The intricate details bring to life the words written by Byron as we witness Childe Harold standing alone in a desolate prison cell. The dimly lit room casts long shadows on the stone walls, emphasizing his isolation and despair. Childe Harold's weary expression reflects his inner turmoil as he contemplates his own existence within these cold confines. Through this image, we can almost hear the echoes of his thoughts echoing off the damp walls. Byron's powerful verse resonates throughout this illustration, reminding us of our own struggles with confinement and introspection. It serves as a poignant reminder that even in our darkest moments, there is beauty to be found within art and literature. Wehnert skillfully captures the essence of Torquato Tasso's imprisonment while paying homage to Lord Byron's profound work. This print not only showcases their artistic collaboration but also invites viewers to delve deeper into Childe Harold’s journey through poetry. As we gaze upon this evocative engraving, let us reflect on our own personal prisons - physical or metaphorical - and find solace in knowing that art has always been a gateway to freedom for
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