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Automatons, illustration of the frontispiece from Le Mecanisme du fluteur
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Automatons, illustration of the frontispiece from Le Mecanisme du fluteur
XIR279481 Automatons, illustration of the frontispiece from Le Mecanisme du fluteur automate by Jacques de Vaucanson, engraved by Francois Vivares (1709-80) 1738 (engraving) (b/w photo) by Gravelot, Hubert (1699-1773) (after); CNAM, Conservatoire National des Arts et Metiers, Paris; (add.info.: Automates; French engineer and inventor (1709-82); invented first fully automated loom; Academie Royale des Sciences; Royal Academy of Science; ); French, out of copyright
Media ID 23211348
© Bridgeman Images
Automaton Machine Machinery Mechanical Mechanism Robot Robots Toys
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EDITORS COMMENTS
This print showcases the intricate world of automatons, as illustrated in the frontispiece from Le Mecanisme du fluteur automate by Jacques de Vaucanson. Engraved by Francois Vivares in 1738, this masterpiece brings to life the genius of French engineer and inventor Vaucanson (1709-1782). The image transports us to a realm where machinery meets artistry, revealing a mesmerizing array of scientific marvels. The automaton figures depicted here are both awe-inspiring and enchanting, representing Vaucanson's groundbreaking inventions that revolutionized various fields. From the tambourine player to the flute player, these mechanical wonders demonstrate Vaucanson's unparalleled skill in creating lifelike robots capable of playing musical instruments with astonishing precision. Among his most famous creations was the digesting duck, which astounded audiences with its ability to eat food and excrete waste like a living creature. Vaucanson's contributions extended beyond entertainment; he also invented the first fully automated loom, forever changing textile production. His accomplishments earned him recognition from prestigious institutions such as the Academie Royale des Sciences (Royal Academy of Science). As we delve into this remarkable artwork captured by Hubert Gravelot (1699-1773) and preserved at CNAM in Paris, we are reminded of how human ingenuity has continuously pushed boundaries throughout history. This print serves as a testament to our fascination with mechanisms that mimic life itself – an enduring testament to
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