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The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a
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The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a
XEE4161234 The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled " Industry and Idleness", " The Zele and the Laziness", recounting the careers of two apprentices, 1747: Thomas; the lazy plays between the graves of a cemetery with chards has the Mass time. In " Le magazin picturesque" 1835 by Hogarth, William (1697-1764); Private Collection; (add.info.: The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled " Industry and Idleness", " The Zele and the Laziness", recounting the careers of two apprentices, 1747: Thomas; the lazy plays between the graves of a cemetery with chards has the Mass time. In " Le magazin picturesque" 1835); Stefano Bianchetti; English, out of copyright
Media ID 23312320
© Stefano Bianchetti / Bridgeman Images
Adolescence Adolescent Cemetery Churchyard Coin Graveyard Laziness Misery Morals Pauper Vice
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This print captures a scene from William Hogarth's renowned series of engravings titled "Industry and Idleness". The specific plate depicted here is called "The Idle Prentice at Play in the Church Yard, During Divine Service", which forms part of the larger narrative recounting the contrasting careers of two apprentices in 18th century Britain. In this particular image, we are introduced to Thomas, the lazy apprentice who finds himself idling away during church service. Against the backdrop of a cemetery filled with gravestones and shards, Thomas can be seen engaging in playful activities instead of attending Mass. This whimsical yet thought-provoking composition showcases Hogarth's keen eye for detail and his ability to convey social commentary through visual storytelling. Originally published in 1747, these engravings were later featured in "Le magazin picturesque" in 1835. Today, this print by Stefano Bianchetti allows us to appreciate Hogarth's artistic genius and reflect on themes such as industry versus laziness that remain relevant even centuries later. As we gaze upon this image, we are reminded of the timeless struggle between productivity and idleness. It serves as a poignant reminder that our choices shape our future paths and that diligence is often rewarded while indolence leads to ruin.
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