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Ms65 f73r, Commentary on the Apocalypse of St John, late 13th century
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Ms65 f73r, Commentary on the Apocalypse of St John, late 13th century
833777 Ms65 f73r, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College, Oxford; French, out of copyright
Media ID 22227492
© Bridgeman Images
Apocalypse Apocalypse Of St John Blackbird Buzzard Calligraphy Commentary Crow Eagle Gospel Hawk Magpie Ms65 Ornithological Pigeon Species
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This print showcases the intricate and awe-inspiring "Ms65 f73r, Commentary on the Apocalypse of St John" a remarkable manuscript from the late 13th century. Created by the French School, this masterpiece is an exquisite blend of pen & ink and tempera on vellum. The image transports us to a world where religious symbolism meets vibrant wildlife. As we delve into its pages, we are greeted by an array of birds that grace its margins. A crow perches majestically, while a pigeon flutters nearby. The presence of these ornithological wonders adds depth and intrigue to this commentary on the apocalypse. Within this medieval marvel, angels soar gracefully alongside various bird species - buzzards, blackbirds, eagles, owls - each meticulously depicted with astonishing detail and lifelike precision. Their delicate feathers seem ready to take flight off the page. The calligraphy adorning this manuscript is nothing short of breathtaking; every stroke carefully crafted with devotion. Illuminated letters guide our eyes through passages filled with wisdom and prophecy. As we explore further into this Gothic treasure trove, our gaze lands upon a radiant sun shining down upon it all – a symbol of hope amidst chaos. This print not only captures the beauty within these ancient pages but also serves as a testament to human creativity throughout history. It invites us to appreciate both artistry and spirituality intertwined in one extraordinary piece that continues to inspire generations even today.
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