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Noblemen of France and Italy at the start of the 16th century (engraving)
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Noblemen of France and Italy at the start of the 16th century (engraving)
957919 Noblemen of France and Italy at the start of the 16th century (engraving) by Jacquemin, Raphael (1821-81); Private Collection; (add.info.: Noblemen of France and Italy at the start of the 16th century. 1, French gentleman at the time of King Louis XII, after a manuscript. 2 and 3, Venetian Seigneurs after a fresco at Campagnola at Padua. 4, Nicolas Vespucci Chevalier de Rhodes, et de la cour de Pape Clement VII (1524), after the Bapteme de Constantin at the Vatican. Illustration for Iconographie General et Methodique du Costume du IV au XIX siecle by Raphael Jacquemin (Paris, 1869). Engraved by Delatre.); © Look and Learn
Media ID 22497612
© Look and Learn / Bridgeman Images
Gentleman Gentlemen Iconography Jacquemin Raphael 1821 81 Louis Xii Nobleman Noblemen Raphael Jacquemin Start Time Venetians Wealthy Pope Clement Vii
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EDITORS COMMENTS
This engraving, titled "Noblemen of France and Italy at the start of the 16th century" takes us back in time to an era of opulence and grandeur. Created by Raphael Jacquemin in the 19th century, this print showcases a diverse array of noblemen from both France and Italy. Intriguingly, each figure represents a distinct social class and fashion style prevalent during that period. The French gentleman depicted here embodies the elegance associated with King Louis XII's reign, as evidenced by his regal attire inspired by a manuscript. Meanwhile, Venetian Seigneurs are portrayed in numbers two and three after a fresco at Campagnola in Padua. Their extravagant costumes reflect the wealth and sophistication synonymous with Venice during this time. The fourth nobleman featured is Nicolas Vespucci Chevalier de Rhodes, who belonged to Pope Clement VII's court. His clothing draws inspiration from "Bapteme de Constantin" at the Vatican, showcasing intricate details that exemplify high-ranking nobility. Raphael Jacquemin's illustration for Iconographie General et Methodique du Costume du IV au XIX siecle provides valuable insight into historical iconography and costume throughout centuries. Engraved by Delatre, this artwork serves as a testament to Jacquemin's talent as an illustrator. As we gaze upon this print today, it transports us back to an era where fashion was not merely about personal style but also served as a symbol of power and status. It reminds us how art can capture history through its meticulous attention to detail while offering glimpses into societies long past.
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