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Passion Flower, 1833-39 (coloured engraving)

Passion Flower, 1833-39 (coloured engraving)


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Passion Flower, 1833-39 (coloured engraving)

999505 Passion Flower, 1833-39 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: A Dictionnaire pittoresque d histoire naturelle et des phenomAnes de la natureA, 1833-39, published by Felix Edouard Guerin-Meneville
Passionsblume, FAarberwaid, Stahlstich, 19tes Jahrhundert, Illustration, Pflanzen
Passiflore, Pastel
Passiflora sp. Isatis tinctoria); ePurix Verlag Volker Christen; French, out of copyright

Media ID 23508020

© Purix Verlag Volker Christen / Bridgeman Images

Passion Flower Dyers Woad


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EDITORS COMMENTS
This coloured engraving titled "Passion Flower, 1833-39" takes us back to the enchanting world of 19th-century botanical illustrations. Created by an anonymous French artist, this exquisite print showcases the delicate beauty of Passiflora sp. , commonly known as passion flower. The vibrant hues and intricate details captured in this artwork are a testament to the skill and artistry of the engraver. Every petal, leaf, and tendril is meticulously rendered, allowing us to appreciate the complexity of nature's design. Originally published in "A Dictionnaire pittoresque d'histoire naturelle et des phénomènes de la nature" a renowned natural history encyclopedia by Felix Edouard Guérin-Méneville, this print served both scientific and aesthetic purposes. It aimed to educate readers about various plant species while also delighting them with its visual allure. In addition to featuring the passion flower itself, this illustration includes Isatis tinctoria or dyer's woad—a plant historically used for dye production. This inclusion adds another layer of interest and highlights humanity's longstanding relationship with plants for practical purposes. Now part of a private collection, this timeless artwork continues to captivate viewers with its elegance and precision. Its presence reminds us of our enduring fascination with botany and serves as a reminder that even centuries-old prints can still evoke wonder and appreciation for the natural world.

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