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The "pasturrelle"of Auvergne and Paul Bastid (1892-1974), Minister of Commerce
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The "pasturrelle"of Auvergne and Paul Bastid (1892-1974), Minister of Commerce
XEE4186175 The " pasturrelle" of Auvergne and Paul Bastid (1892-1974), Minister of Commerce, lay the first stone of the Pavillon du Massif central at the International Exhibition of Arts and Techniques in 1937 in Paris. In " L illustrious du petit Journal" on 28/02/1937. Private Collection by Anonymous; Private Collection; (add.info.: The " pasturrelle" of Auvergne and Paul Bastid (1892-1974), Minister of Commerce, lay the first stone of the Pavillon du Massif central at the International Exhibition of Arts and Techniques in 1937 in Paris. In " L illustrious du petit Journal" on 28/02/1937, Collection privee); Stefano Bianchetti; out of copyright
Media ID 23731878
© Stefano Bianchetti / Bridgeman Images
Auvergne Exposure Folklore A Journal Mode
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EDITORS COMMENTS
The 'Pasturrelle' of Auvergne and Paul Bastid (1892-1974), Minister of Commerce, are captured in this historic photo print. Taken during the International Exhibition of Arts and Techniques in 1937 in Paris, the image showcases a significant moment as they lay the first stone of the Pavillon du Massif central. The photo was featured in 'L'Illustrious du Petit Journal' on February 28th, 1937, adding to its historical value. The scene depicts a political figure alongside a young girl dressed in traditional costume, representing the rich folklore and customs of Auvergne. The composition beautifully captures both human elements and French culture. The minister's presence symbolizes progress and commerce while juxtaposed with the girl's traditional attire that represents heritage and tradition. This image transports us back to early 20th-century France, offering a glimpse into an era where art, politics, and cultural preservation converged. It serves as a testament to the importance placed on showcasing regional identities within national exhibitions. Preserved within a private collection by an anonymous owner until now, this print by Stefano Bianchetti is not only historically significant but also artistically rendered through his skilled engraving technique. As it falls out of copyright restrictions today, we can appreciate its beauty without any limitations.
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