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Pharamond, 1er roi de France, monte sur le trone en 420, mort en 428 (coloured engraving)

Pharamond, 1er roi de France, monte sur le trone en 420, mort en 428 (coloured engraving)


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Pharamond, 1er roi de France, monte sur le trone en 420, mort en 428 (coloured engraving)

2799577 Pharamond, 1er roi de France, monte sur le trone en 420, mort en 428 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Pharamond, 1er roi de France, monte sur le trone en 420, mort en 428. Detail from popular coloured engraving by Pellerin of Epinal. Rois et Reines de France.); © Look and Learn

Media ID 22993182

© Look and Learn / Bridgeman Images

Merovingians Monte Mort Queens Royals Trone Deaths Mortality Passed Away Pharamond


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EDITORS COMMENTS
This coloured engraving depicts Pharamond, the first king of France, ascending to the throne in 420 and passing away in 428. Created by the French School in the 19th century, this detailed print showcases Pharamond's royal presence and captures a significant moment in French history. The artwork is part of a private collection and originates from a popular coloured engraving by Pellerin of Epinal titled "Rois et Reines de France" (Kings and Queens of France). The image highlights Pharamond's regal stature as he takes his place on the throne, symbolizing his authority and leadership over the kingdom. Pharamond holds great significance as one of the early kings of France during the Merovingian dynasty. His reign marked an important period for French royalty, laying foundations for future monarchs who would shape European history. The vibrant colours used in this engraving bring life to Pharamond's story, capturing attention with its intricate details. This piece provides viewers with a glimpse into ancient French culture and serves as a reminder of Europe's rich historical heritage. Bridgeman Images presents this remarkable artwork from their Fine Art Finder collection. It offers art enthusiasts an opportunity to appreciate both the artistic skill behind this print and its historical context within French royalty.

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