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Plaque: Simon and Thaddaeus, c. 1160 (gilded copper, champleve enamel)

Plaque: Simon and Thaddaeus, c. 1160 (gilded copper, champleve enamel)


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Plaque: Simon and Thaddaeus, c. 1160 (gilded copper, champleve enamel)

491442 Plaque: Simon and Thaddaeus, c.1160 (gilded copper, champleveenamel)
by Mosan School, (12th century); h:6.05 w:6.25 cm; Cleveland Museum of Art, OH, USA; (add.info.: It is likely this pair of enamel plaques depicting the apostles Simon with Thaddeus and Thomas with Matthew once formed part of the decoration of a portable altar, a reliquary triptych, or some other kind of liturgical object.
); Purchase from the J. H. Wade Fund; European, out of copyright

Media ID 22923464

© Purchase from the J. H. Wade Fund / Bridgeman Images

C12th Enamel Enamelled Mosan Plaque Romanesque Valley Of The Meuse


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> Arts > Artists > Related Images

> Europe > France > Canton > Meuse

> Europe > United Kingdom > England > Cleveland

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EDITORS COMMENTS
This print showcases a remarkable piece of medieval art, the "Plaque: Simon and Thaddaeus" created by the Mosan School in the 12th century. Crafted from gilded copper with champlevé enamel, this exquisite plaque measures approximately 6.05 cm in height and 6.25 cm in width. Currently housed at the Cleveland Museum of Art in Ohio, USA, it is believed that these two plaques originally adorned a portable altar or reliquary triptych. The intricate design depicts two apostles, Simon and Thaddaeus, standing side by side. Their detailed facial expressions convey a sense of devotion and spirituality. The use of vibrant enamels adds depth to their garments while highlighting delicate patterns throughout the composition. As an important religious artifact from the Valley of Meuse region, this Romanesque-style plaque holds significant historical value within Christianity. Its acquisition by the museum was made possible through funds provided by J. H Wade. Bridgeman Images captures every detail of this stunning artwork through their expert photography skills. This print allows viewers to appreciate not only its artistic beauty but also its cultural significance as an emblematic representation of faith during medieval times.

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